The London shows this year were about richness–in feel, in cloth, in motivation. (The jaw-dropping sites metropolis provides dished up as the perfect supplement, with the Tate Britain and the Country wide Family portrait Gallery being simply a handful of the locations designers select for their fall season/winter 2018 showcases). Our associate editor Pahull Bains is at the English capital for the week’s slate of shows. Here, the five tendencies she noticed dominating the runways.

[Do not forget to read: 5 and ‘a Half’ Things We’re Looking Forward to at Paris Fashion Week]

1. Metallics

From space-age tinsel at Ashish’s nighttime bazaar-inspired show to a Studio room 54-worthy retro precious metal wedding dress by Osman to a molten metallic jumpsuit at Temperley London, this season’s communication is focused on located out in the audience.

2. Jacquard

Opulent, old-world brocade needed on many varieties this season–in a impressive lampshade coat at Mary Katrantzou, an large cover at Simone Rocha, and a designed suit at Christopher Kane. Use it head to bottom for a impressive look, or snag one declaration piece to decorate your favourite trousers.

3. Plaid

In hues which range from buttercup yellowish to basic red, this precious check arrived over and over on London’s runways–as a suit split over florals at House of Holland, as a cosy coat at JW Anderson, and since a blanket cover at Roksanda.

4. Embellishments

Surface feel was an overarching theme this year. There have been multi-coloured crystals dance from knits at Christopher Kane, round rivets on the daring cut-out dress at David Koma, and a burst of sequins at Toga. Plus they weren’t just limited to clothes–we even discovered ornamentation on the ribbon-tie slingbacks at Erdem, the loafers at Simone Rocha, and the sock pushes at Delpozo.

5. Florals

Florals are perhaps a lttle bit more groundbreaking for semester than they may be for spring, as well as for semester 2018, they needed on an urgent quality–printed on large puffer jackets (Richard Quinn); spliced with tartan (Simone Rocha); on translucent anoraks (Preen); and in moody hues like crimson, oxblood and burgundy.